Lemay and Kesinger showed photographs from the team's research trips to San Francisco and Tokyo. While many other movies adapted from Marvel comics take place more or less in the real world, Hero had an opportunity to create a location different from any found today, but one that still would feel real and engaging. World creation, look, and feel are incredibly important in Disney movies, from the Norwegian-inspired Arendelle of Frozen to Litwak's Arcade in Wreck-It Ralph the BH6 artists wanted to make San Fransokyo come alive in the same way. Once it had been decided that the film would be set in a futuristic amalgam of San Francisco and Tokyo, a core group of artists from the BH6 team set off on an epic field trip.
The scene ends with them racing after him - Fred via water, Baymax and Hiro via air, and everyone else via Honey Lemon's chemical balls turning ocean water into bouncy rubber.ģ. They fumble a little with their new powers and contraptions, but manage to survive.long enough for Yokai to escape. Soon enough, Yokai appears, attacking the kids with a viciousness for which the team is not at all prepared. "Whatever they were doing here, it didn't go well," Hiro remarks as they poke around the roots of the villain's tragic backstory. It features the whole heroic team as they stumble across an old scientific lab hidden in an abandoned prison, full of machines they don't understand. Lemay presented the second scene, Akuma Island. Of course, that's when the villainous Yokai shows up, leading to a chase throughout the city, complete with runaway cable cars, baffled tourists, and lots of friendly, misplaced advice from everyone's favorite healthcare robot.Ģ. "Creative expression can be very therapeutic," Baymax calmly explains.
It starts with Hiro rushing down a dark alley looking for Baymax, only to find the robot surrounded by hoodlums, getting tagged with bright green spraypaint. The scene was first created early on in production, and was meant to focus on the main character Hiro's relationship with his robot sidekick Baymax without the rest of the heroic team as support. Kesinger narrated each sketched panel of the storyboard as it came on screen, explaining the action, reading out the dialogue, and even making sound effects. The first prototype scene shown was entitled Baymax Vs.
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